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THE PIRELLI 2024 CALENDAR NAMED “TIMELESS”

A WORK OF ART BY THE GHANEAN ARTIST

PRINCE GYASI

Prince Gyasi's 2024 Pirelli Calendar is out. This new prestigious edition of “Cal” is entitled “Timeless” and celebrates people who, according to the Ghanaian artist, have marked their time and are destined to inspire future generations.

“We are not born 'timeless', but we become so,” says Prince Gyasi, explaining that his subjects, photographed in the bright colors and sharp contrasts that made him famous, are for him “like superheroes.” .

Prince Gyasi is the last of 39 artists to have created a Pirelli Calendar. His work constitutes the 50th edition of the 60-year history of the Calendar, from 1964 to 2024. The Calendar website has been the subject of particular attention. It offers, in more than 90 countries and in 68 languages, photos, audio, videos and texts of the 2024 Pirelli Calendar.

Visitors to the site, after the initial sequence of an exploding watch, can take a journey through "Timeless", photo by photo, and explore the project through an interactive "guide" with behind-the-scenes photos, detailed content and information on the subject.

It is a refined approach intended to highlight the images - of which there are 24, or two per month - and on which Gyasi himself appears. This isn't the first time the Calendar's creators have appeared in the publication (rock star Bryan Adams photographed its 2022 Calendar and appeared in it), but it's the first time they've had their own dedicated month .

The Pirelli Calendar according to Prince Gyasi

When Prince Gyasi was approached for the 2024 Pirelli Calendar, he began by thinking about who he wanted to feature in it and what they meant to him, drawing on his own sense of West African community . As one of the youngest artists ever asked to take on the role of Cal, he had to go back to his childhood and think about the people who inspired him over his 28 years of existence.

The Calendar under the title “Time Stopper”

" I realized that it's not about being young or old, innovative or wise. What makes these icons who they are is elsewhere. It's their focus, their dedication, their passion . They never stop. They never give up,” he wrote.

In artist Gyasi's keen eye, the true essence of timelessness lies in perseverance and integrity. In his exploration of this notion, he looks at figures such as Naomi Campbell, who, although not part of his generation, remains an icon.

About the model Naomi Campbell, who appears in the Calendar under the title "Time Stopper", he says:

"When you look at people like Naomi, she's not from my generation, but she's still an icon. That's only possible if you're committed to your work and your beliefs."

For the Calendar, the Ghanaian artist transposed these ideas into a manifesto dedicated to “those who want to be timeless”. Its ultimate objective is to spark emulation, particularly among young people, by encouraging them to learn, to create, and to draw inspiration from this process. He expresses with hope:

“I want to make them understand that they can achieve everything they want if they commit to it with perseverance and consistency.”

The talents he chose for this project hold deep meaning for Gyasi, emphasizing:

“Some of them are friends, and I felt a family connection with them on set because of the bonds we shared.” Some are long-time companions, like supermodel Naomi Campbell, whom he captured in Lagos, Nigeria, in 2021, for the cover of Madame Figaro.

When he shared the snaps on social media, he called Campbell an "iconic fashion leader", marking his fifth appearance in a Pirelli Calendar .

Others, however, are new friends, such as Margot Lee Shetterly, author of "Shadow Figures", and the writer Amanda Gorman, whose poem "The Hill We Climb" resonated during the inauguration of US President Joe Biden in 2021. This harmonious blend of old and new connections highlights the diversity of sources of inspiration that help to forge the notion of timelessness in Gyasi's work.

A creative atmosphere in London and Ghana

Multiple Calendar models came together for an epic three-day photoshoot in London, punctuated by the talents of DJs Juls, JAE5, Tiffany Calver, and Mercedes Benson. This convergence created a festive atmosphere on set, reaching its peak during the latest shoot featuring Nigerian singer, songwriter and actress, Tiwa Savage, also known as the Queen of Afrobeats.

After a first shoot in London, Prince Gyasi deliberately opted for a second in his Ghanaian homeland in order to represent the cultural richness and natural resources of his country.

“Ghana is an exceptional land,” he explains. “It is the gateway to Africa, where we find an abundance of cocoa, gold, bauxite, oil...

I wanted to bring Pirelli there and unveil a new world through a Calendar that will last over time.”

It is in this place that His Majesty Otumfuo Osei Tutu II graced the setting with his royal delegation, adding a touch of grandeur to this artistic ensemble.

At the end of this photographic experience, Gyasi felt he had completed a significant chapter in his personal journey. The dynamic collaboration with long-time colleagues and new faces has resulted in the creation of art that is as dynamic as it is thought-provoking.

During the shoot in Ghana, the lens also fell on the contemporary artist of Ghanaian origin Amoako Boafo, the versatile American singer Teyana Taylor, who has also worked as an actress, dancer, model and choreographer, collaborating notably with Kanye West, as well as former professional footballer Marcel Desailly.

Born in Ghana and raised in France, Desailly made his mark playing for clubs such as AC Milan and Chelsea, capping his career with a World Cup victory in 1998 with the French national team.

From the heart to the goal

Gyasi carefully crafts each shot, crafting images that transcend mere photography to reach the status of a painterly work. Choosing each individual with meticulous attention, he develops the idea for his staging, draws it, then supervises the realization of the renderings and the construction of the set. Each set was designed by Gyasi to represent what makes each individual timeless to his eyes. “I know how I’m going to put the talent into my canvas,” he explains.

Everything is done in advance, he explains.

Equipped with a static camera mounted on a tripod, he freezes a scene, a composition that evokes as much an artistic piece as a photograph, all orchestrated by a creative team including stylist Ola-Oluwa Ebiti, hairdresser Issac Poleon, as well as as makeup artists Mata Marielle and Elizabeth Boateng.

It's more about the message and the art. You have to think about the image you want to obtain and the message you want to convey. It's a work of Art.

"When I look at the paintings of the 14th century, those of the Renaissance artists, I find that they mostly painted as if they had sneaked into places or spaces and photographed the subjects. Conversely, I photograph like a painter. I put all my energy into it."

Memorable compositions

Interviewed after the photoshoot, Ms. Shetterly said she enjoyed being part of an artist's vision.

“What I really love about Prince as the photographer for this Calendar is that he merges two things,” she said.

“He has this very specific view of blackness, of his African and African-American origins, that he tries to communicate, and yet his art and his images are very profound.

They are universal, accessible, visceral and aesthetically very appealing. You look at them and you feel drawn to these colors and images and people.”

The remarkable line-up of talent for the Pirelli Calendar 2024, ranging from His Majesty Otumfuo Osei Tutu II, King of West Africa's historic Asante Empire, to Hollywood legend Angela Bassett, is a testament to the artist's vision Ghanaian visual Prince Gyasi, aged 28.

He is one of the youngest photographers to have photographed the iconic Cal, now in its 50th year, but he is already acclaimed around the world for his bold and vibrant work.

Here is the prestigious casting carefully selected by Prince Gyasi for this 50th edition of “Cal”:

Amoako Boafo – The Chosen One/The Chosen One

Angela Bassett – Altruistic/The Altruist

Margot Lee Shetterly & Amanda Gorman – The Blueprint/Le Plan d'Action

Young Prince – Studious/Le Studious

His Majesty Otumfuo Osei Tutu II – Royalty/La Royauté

Idris Elba – Man of Honor/L'Homme d'Honneur

Jeymes Samuel – Visionary/Le Visionnaire

Marcel Desailly – Focus/Le Concentré

Naomi Campbell – Time Stopper

Prince Gyasi – Details/Les Détails

Tiwa Savage – Resilience

Teyana Taylor – Future Forward/L’Avenir

A work of visual art to discover urgently !




Joanne Courbet for DayNewsWorld

THE PIRELLI CALENDAR 2021

IN CORONAVIRUS MODE

If aesthetes expected a little lightness during this period of confinement, they will quickly become disillusioned.

“Pirelli, in light of the current Covid-19 emergency, has decided to cancel the production and launch of the Pirelli 2021 Calendar.

As part of other initiatives already undertaken by the company, the "The Cal" project will allow 100,000 euros to be devoted to the fight against coronavirus and to research in this field, "read a press release from Milan.

Italy is badly affected by the epidemic with more than 54,000 patients and nearly 6,900 deaths in Italy.

“The production of the Pirelli Calendar was stopped before, in 1967 and then from 1975 to 1983.

The unprecedented urgency of Covid-19 forced us to do it again today.

We will come back to the project when the time comes, with the people who worked with us today, ”said Pirelli Managing Director Marco Tronchetti Provera.

The Pirelli Calendar has never ceased to follow the evolution of mentalities throughout its publications.

From the sculptural beauty of women to her hieratic nudes in the landscapes of Corsica before taking an interest in their inner strength, the photographers were able to capture in turn female infinity and "the Juliet that lies dormant in all women" , according to the formula of the master builder Paolo Roversi in 2020.

To see and to follow.....




Jenny Chase for DayNewsWorld

WARNING AT THE SELFIES THAT KILL FIVE TIMES MORE THAN THE SHARKS

A sad news for selfie fans: According to the Indian Journal of Family Medecine and Primary Care, at least 259 people died between October 2011 and November 2017, taking selfies around the world compared to just 50 killed by sharks.

And it is the young men who stand out in this list, not hesitating to take risky behaviors: drowning, transport accidents, falls, fire or weapons.

In January, the death of Taiwanese "hiker in bikini" Gigi Wu, shocked her "followers".

She crashed at the bottom of a ravine, having climbed more than 100 peaks to make two-piece selfies.

India, with its 800 million mobile phones, sadly holds the world record with more than half of the deaths (159), ahead of Russia, the United States and Pakistan.

A result apparently attributable to the national taste for the group selfie and the youth of the population.

Faced with this wave of deadly selfies, various countries began to make arrangements.

Thus India has just established "zones without selfies"; there are 16 in the city of Bombay alone.

In Russia a guide to "safe selfies" warning: "a cool selfie can cost you your life" was published by the police.

In Vienna to educate in art a detox campaign was initiated.

Thus, at Belvédère, the visitor discovers next to the oh famous painting "The kiss" by Gustav Klimt, a reproduction covered with a giant red hashtag.

Meaning: "look at the board instead of taking a picture with you"!

Sandra Stac for DayNewsWorld

DRAMAGRAPHIES BY MICHEL LAGARDE

THE NEW EXHIBITION BY

THE GALERIE VRAIS REVES

Dramagraphies

Michel LAGARDE is an artist, set designer, scenographer, draftsman and comedian who improvised himself
photographer.
It is by enriching his drawings by the photo that he comes to photography.

Far from abandoning the drawing, some of his photos are like paintings that he modifies thanks to the use of a Photoshop brush.

He is a polymorphous artist since he is inspired by both the polars, the comics, the engravings of the nineteenth
century and Flemish painting.

It is in this perspective that he puts in scene a reinterpretation of the painting "The retractor" of Bosch:
"Talking about my work is a difficult exercise for me, say that this project was born from the fact that I practiced different artistic forms and that I wanted to bring them together.

The theater as an actor and decorator, painting, photography and a pleasure to tell "stories". Recomposing images where all these forms of art would be present, but above all present a snapshot of internal images accumulated since childhood.
Through his "Dramagraphies" LAGARDE does not seek to reproduce the reality, quite the opposite.
aims to "recreate another" reality.
His world is deeply marked by the theater since his self-portraits are stagings in his own right, of which he is both the director but also the multiple characters.
Far from being autobiographical, his skits appear as unique and autonomous compositions made from models, singular objects, costumes, and various and far-fetched sets.

When asked if he is himself staging he answers:
"It is not really me that I put in scene in the Dramagraphies, it is rather roles that I interpret like actor (...) certainly the images '' out '' of my head but I do not tell my life, I enjoy interpreting it without worrying about my physical image, I would rather tend to distort it.

I like caricature because it forces the bias. "
His work reflects a concern for interpretation, distancing and staging of the reality he transfigures.
I like caricature because it forces the bias. "
His work reflects a concern for interpretation, distancing and staging of the reality he transfigures.
Some bibliographical references

Michel Lagarde was born on April 6, 1954 in Cadouin (Dordogne).
Since his childhood he has been painting and drawing.

In 1974, he worked in a theater company where he realized his first sets and performer his first roles.

He is given his first camera and he makes some
series, then give up to devote himself solely to theatrical practice.

In 1987, he left the troupe and devoted himself only to scenography and scenery.

He creates many scenographies and sets for live shows, events, fashion shows, theater and opera.

In 2002, he returned to photography with the series "Dramagraphies, photographic self-portraits" always
in progress today. This series brings together all the artistic disciplines practiced until now.

Today Michel Lagarde lives in the countryside south of Paris where he continues his photographic work
with the series "Dramagraphies" and creates scenographies and sets for
directors whom he appreciates the work.
He works mainly through digital photomontage.
Regarding taking pictures, he uses a standing camera, which he starts with the shutter release button and allows him to multiply shots.
The shooting time is uncertain and often invites improvisation.
The rendering of images is random and that is surely what makes them so charming.
At the crossroads between narration, cinema, theater and photography "Dramagraphies" weave a link between different forms of art and call for interdisciplinarity.
«Come see the actor (s)
See the musician (s)
See the magician (s)
Who are coming?

A beautiful, surprising, fulgurating exhibition full of Oh! Ah! so quickly run to see her !!

Galerie Vrais Rêves
Exhibition : From 9th May to 22nd June 2019
Vernissa ge: Saturday, May 4 from 17h in the presence of the artist
Open : Wednesday to Saturday from 3 to 7 pm or by appointment, except Public Holidays
Guided tour, Saturday, May 25 at 17h
Sandra Stac for DayNewsWorld
There are no translations available.

BOULEVERSANTE PHOTO  DE L'ANNEE

AU WORLD PRESS PHOTO

UNE FILLETTE HONDURIENNE EN PLEURS

« Je pense qu’un sujet comme celui-là, les questions d’immigration, trouve un écho au-delà des Etats-Unis, dans le monde entier », a estimé le photographe John Moore ».

C'est le le cliché bouleversant d’une petite fille hondurienne en larmes, le regard tourné vers sa mère fouillée par un agent à la frontière américaine, qui a remporté jeudi le prix de la photo de l’année du prestigieux World Press Photo.

Un image terrible capturée en juin 2018 par John Moore, photographe de Getty :

elle montre Sandra Sanchez et sa fille Yanela alors qu’elles sont appréhendées par des officiers après avoir traversé illégalement la frontière entre les États-Unis et le Mexique. Et l'on sait le sort qui était réservé à ses migrants: la séparation des enfants mineurs de leurs parents.

Et c'est ce que dénonce précisément la photo intitulée « Crying Girl on the Border »

.

En effet alors que John Moore photographiait les agents des services frontaliers dans la nuit du 12 juin, au cœur de la vallée du Rio Grande, ces derniers ’ont arrêté un groupe de personnes qui tentaient de traverser la frontière. « Je pouvais voir la peur sur leurs visages, dans leurs yeux », a confié le photographe.

Puis le gagnant apris la photo quand Sandra Sanchez a posé la fillette au sol pour être fouillée. L’enfant s’est mise à pleurer. « J’ai mis un genou à terre et j’avais très peu de temps avant que cet instant ne soit fini », a raconté le photographe de 51 ans, qui couvre la frontière entre les États-Unis et le Mexique depuis une dizaine d’années.

Une telle violence que l'indignation s'est élevée dans les rangs des démocrates comme des républicains .

Un tel scandale que Melania Trump est montée au créneau.

Une telle aberration que Donald Trump a dû faire marche arrière.

Ce cliché qui fait le tour du monde illustre « une violence d’un autre type, qui est psychologique », ont estimé les juges.

« Je voulais raconter une autre histoire », a-t-il expliqué lors de la cérémonie à Amsterdam.

« C’était pour moi une possibilité de montrer une image de l’humanité qui souvent n’apparaît que dans des statistiques ».

Liste des gagnants de World Press Photo 2019

Gagnant - Photo de l'année : «Crying Girl on the Border», John Moore, Getty Images

Gagnant - Section Actualité : « The Disapperance of Jamal Kashoggi », Chris McGrath, Getty Images

Gagnant - Section Environnement : « Akashinga – the Brave Ones », Brent Stirton, Getty Images

Gagnant - Section Nature : « Harvesting Frogs’ Legs », Bence Máté.

Gagnant - Photoreportage de l'année : « The Migrant Caravan », Pieter Ten Hoopen, Agence Vu/Civilian Act

Jaimie Potts pour DayNewsWorld