DECRYPTING THE IMAGINARY OF HALLYDAY THROUGH TWO CLIPS FORGIVE ME OF JOHNNY AND MY LAST LETTER OF HIS SON DAVID

Last week, David Hallyday, the son, released the clip for his song My Last Letter, directed by Laura Smet, the girl.

Since Tuesday, Læticia Hallyday releases that of Pardonne-moi, a video directed by Christophe Acker.

And undeniably the two clips unfold in a spectral imagination.

Heroes are alone, dispossessed by an absence.

Læticia Hallyday's double-back, wearing a very Vertigo bun, wanders in an empty house after the disappearance of the loved one and a sign of Johnny Hallyday remains:

the motorbike the leather jacket.

David strolls around Bir-Hakeim and then takes refuge in a thick forest.

A wolf appears, black for him, white for her, both with blue eyes.

The Læticia look - alike communicates with the animal through the bay windows.

It is at the moment when she takes her bath that appears a majestic white wolf, that she tries a little later to touch through the bay window.

Millennial universe where the white widow evolves, shimmers and reflects and where we can see the trees crying through the glass, another reflection screen: that of Johnny.

Johnny is also present in the physical resemblance traits on David's face.

If for David the relation to his deceased father passes by the text in this last letter, for Læticia passes by tattoos or decals.

And what about the symbolic value of a coffee cup found in both clips ...

It's your turn!

Beyond the legal battle, the Hallyday clan shares much more: a common imagination.